Symbolist collage using 19th century prints......

As a child I loved to see the arty backdrops displayed in high fashion windows at Bonwit Teller in New York City. As an adult I got to meet the extraordinary man who created these collages utilizing images from 18th and 19th century engravings. Many decades later, Anthony Guyther is still creating wonderful works, as well as tongue in cheek constructions, and each one is as clever and witty as ever. The older works are published in a book called "Symbolist Collage", and I have been very fortunate over the years to have collected many of those original works for the gallery and for my personal collection. The construction above is called "Macanudo Lady", the collage is "Egg-guardian", and below that is "Fighting Nix". Yesterday I received copies of his new works and luckily I'll be able to see them in person in a few weeks. I'll keep you posted.......

"Rooms of His Mind"

Step into the rooms of his mind. Roger Hines is an amazingly talented assemblage artist, whose pieces reflect myriad's of hours reflecting, searching out elements, constructing, and creating  intricate works of art. They are breathtakingly beautiful, and have been collected worldwide. The price range for works by this New York artist is from $4500 to $20,000. They speak for themselves!

A Life of Visionary Collage, Ann Irwin

Ann Irwin, by all accounts, was a woman who chose to live, love, and create art, under the most challenging circumstances. She battled chronic lung disease and other health issues, but worked on her art constantly. Even towards the end of her battle, she managed, with a 54 foot long cord to her oxygen supply, to still work in her beloved garden, and create eloquent colleges and quilts in her basement studio. According to her husband, Roy, she utilized old books, fabric, and found objects. "Ann created a large body of art (over 400 pieces) rich in a deep personal mythology of whimsical images of birds, houses, trees, and flowers." She often incorporated the printed word in her works, "not to be read, rather for tonality". "She asked her paper, foil, and twigs to function as a silent prayer, to anchor the dreamy images, to keep them real and material." Ann's work was shown in both museum settings and regional shows. I present here, three wonderful examples of her work. The piece I call "Starry Night with Matzoh" is one of my favorites. I thank Roy Zipris, Ann's husband, for bringing her extraordinary work to my attention. I recently visited the Museum of Modern Art to see collages and constructions. Ann Irwin's work would have been a perfect fit. Click on the title of this blog and you will come to a flickr page of more images. Enjoy!