Showing posts with label memory paintings. vernacular paintings. Show all posts
Showing posts with label memory paintings. vernacular paintings. Show all posts

Thursday, May 5, 2011

The Baron Paints a Life Remembered




Baron Corso de Palenzuela was only 8 years old when his titled family fled Cuba to avoid Batista's corruption. The trauma of this sudden and unexpected move from their beloved homeland has remained with de Palenzuela and is clearly evident in his art. His memory paintings, depicting the family's luxurious life in Cuba, illustrate both love and loss for Corso the child, and haunting fragments of memory still carried by Corso the adult.

In his paintings, the main figures are always large and in the foreground, flat in perspective, often flanked by both armed soldiers and the lush vegetation of this tropical paradise. White deer, called Dama Dama, almost forced into extinction because of their prized flesh, white peacocks whose feathers are decorated with gold coins from the family's fortune, white dogs both prized for their hunting skills and their devotion as family pets, enormous fields filled with sunflowers, cocoa and tobacco, and mother tending to her gardens, fill de Palenzuela's colorful canvases.

There is a strong folk aesthetic to this unschooled work which has been shown at the American Visionary Art Museum, The Miami Fine Art Museum, The Jewish Museum in NY, The Havana Municipal Museum, and Vassar College. The artist's spiritual side, reflecting his Sephardic heritage, is depicted in powerful biblical paintings with illustrative text. Corso de Palenzuela says, “I’m religious, but I don’t believe in institutional religion. I’m more of a mystic.” These wonderful paintings are mystical indeed! Most of the work is painted in oil on random shaped boards, often surrounded with framing constructed to protect these vivid and cherished memories. There are fascinating stories told in each work and a goodly amount of the vintage pieces are still in the artist's personal collection.

Edward Gomez wrote of de Palenzuela in Raw Vision magazine, these paintings go “…far beyond the Cuban-American dominated zones of Miami and South Florida reflecting both increasing and broader popular interest in Latin-American culture in general, and the ever-widening scope of the Outsider Art world, where interest in styles, techniques or themes associated with particular peoples or places has significantly enriched appreciation of the genre.” De Palenzuela's work has also received glowing write-ups in the New York Times on four occasions.

Vintage and current works by Corso de Palenzuela are now available at the Beverly Kaye Gallery in Woodbridge, CT tel: 203 387 5700

Thursday, September 24, 2009

Unexpected art, assemblages, and paintings by Canadian artist




This Canadian artist, who is equally at home with paint as she is with assemblages, once lived in Florida. I wish I had know her then, when my life was bringing me there several times a year. Carmen Hickson was a self-taught artist, who now has "three years of commercial art school" under her belt. She has remained true to herself and to her voice and she exhibits quite a talent. Recently she was successful in Canada's largest juried art show held in Toronto. This is work I'd love to see in person one day. Click on the title of this piece and it will bring you to her website. Be sure to check out her paintings, which are as magical as are the assemblages.

Wednesday, September 2, 2009

Before he was Paul........




Connecticut artist, Paul Pitt is known for his folk art paintings of scenes from a gentler time, populated with up to 250 men, women, children and animals. And always there are two running boys, one Black and one White, one of whom is wearing the ever present red scarf. But searching through an old barn this week, Paul's first efforts were rediscovered. These vintage paintings, over 30 years old, are much different from the idyllic scenes for which Paul Pitt is well known. The earlier works have an appeal all to themselves so I've decided to share them with you. Tell me what you think!
A link in the title will bring you to Paul's work as it is recognized today. He is in many permanent museum collections and his work has been on the cover of quite a few magazines. The older works are now available for purchase.